Black Drawing (Diptych)
42cm X 29.7cm
Oil Pastel on Archival Paper

The inquiry around the line, which started with hair, continued through further drawings. In this work, the process is the carbon copy technique, thus creating both positive and negative copies as one work. It was a direct response to the initial interaction with built environments and acted as a documentation of spatial experience in architectural spaces. Later on, these drawings were also used as sketches for site-specific drawings.